![]() If someone really wants the piece to be in a different key (because it's easier to sing or play in that key, or just because they want it to sound higher or lower), the whole thing can be transposed, but the only difference that would make (in the sound) is that the entire piece will sound higher or lower. The thing that matters is not what note you start on, but how all the notes are related to each other and to the "home" note (the tonic) of the key. Since all major keys are so similar, a piece in a major key will sound almost exactly the same whether you play it in C major or D major. If you play four chords in a row, they can tell you that you played a tonic-subdominant-dominant seventh-tonic (I-IV-V7-I) chord progression.įortunately, having relative pitch is good enough, and for many musicians may even be more useful than perfect pitch, because of the way Western music is conceived. In other words, if you play two notes, they can tell you that one of them is a major third higher than the other. However, most musicians can be trained to recognize relative pitch. (For more on this subject, you may want to look up Robert Jourdain's Music, the Brain, and Ecstasy: How Music Captures our Imagination.) This is an unusual skill that even most trained musicians do not have, and research seems to suggest that if you don't have it at a very early age, you cannot develop it. A few musicians with particularly perceptive ears can even tell you that a piano is tuned a few cents higher than the one that they play at home. These people, when they hear music, can tell you exactly what they are hearing: the G above middle C, for example, or the first inversion of an F minor chord. ![]() The term ear training refers to teaching musicians to recognize information about notes and chords just by hearing them.Ī few people have what is called perfect pitch or absolute pitch. View statistics to see how well you are doing and how you improve over time.When musicians talk about ear, they don't mean the sense organ itself so much as the brain's ability to perceive, distinguish, and understand what the ear has heard. Learn how to create and recognize chord progressions, and so much more. Develop a sense of pitch, recognize scales and intervals, play meldodies by ear, and so much more.įeel harmony. Learn to feel the beat, recognize time signatures, imitiate simple and complex rhythms, and so much more.ĭevelop relative pitch. Music Theory Tutor will instantly create a personalized practice session every time.įind your rhythm. Our unique Intelligent Practice feature tracks your progress and automatically selects exercises and questions that will challenge you. Feel like practicing something specific? Just select the exercises you want and a number of questions. ![]() Music Theory Tutor uses advanced pitch and rhythm detection algorithms to evaluate your playing or singing and provide instant feedback! Many of our students have used Music Theory Tutor to prepare for ear training exams in formal programs like TMEA/TMAC (US), RCM (Canada), ABRSM (UK), and AMEB (Australia). This is a very complete ear training application covering all essential skills. 20 types of exercises and thousands of questions. This is how you would learn with a real live human teacher, except much cheaper! You will develop your ears as you learn music concepts. Ear training is not an afterthought in Music Theory Tutor, it is a core part of the learning experience.
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